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Carter has performed in a range of sites from art openings, cross-channel ferries, seminars, conferences and a welding tent in a chili festival.

Channer, Alice. 2019. Fault Lines at Freelands Foundation Exhibition publication. In: Edward Ball, ed. Fault Lines. Â鶹¹ÙÍø: Freelands Foundation. Sand in the Vaseline: on twenty-first-century process art Channer, Alice. 2022. Sand in the Vaseline:

Cooke, Kirsten, ed. 2025. Aqueous Humours Fluid Ground. Â鶹¹ÙÍø: Matt's Gallery and The Poorhouse Reading Rooms (Distributor: Art Data). ISBN 9781739343118. Damp Bodies: Fluid Ground Cooke, Kirsten. 2023. Damp Bodies: Fluid Ground. In: Louis Mason,

Marion is an artist and writer, working with found objects, digital video, film, drawing, sound, text and photography.

Ayesha explores contemporary borders and migration, critical race theory, and visual cultures of the Black Atlantic.

Janice works with a range of material including print, type, audio recording and, more recently, light.

Sam’s research is in modern European philosophy and critical theory, with an emphasis on art and aesthetics.

Sadie deploys chromatic anomalies and unstable readings to provide an insight into notions of ‘otherness’.

Reupke, Rachel. 2019. Lean In. In: Hannelore Paflik-Huber, ed. Künstlerhaus Stuttgart 40 Jahre 1978–2018. Stuttgart: av edition. ISBN 9783899862874. Questionnaire Reupke, Rachel. 2021. Questionnaire. Intermission (St George and the Dragon) Reupke,

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