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McCartney, Ella. 2019. Movement as Dialogue. In: "Movement as Dialogue", University of Hong Kong, Hong Kong. Forms of Address (Group Exhibition) McCartney, Ella. 2018. Forms of Address (Group Exhibition). In: "FORMS OF ADDRESS", Laure Genillard,

Emily's research explores the implications of financialization and metrification for online identity and selfhood.

My interests range across art and political economy, witnessing and testimony, law and psychoanalysis. On leave for 2024/25.

Susan uses media artefacts in her investigative processes to explore contemporary conflict and state violence.

Grace鈥檚 recent solo exhibitions took place at the Contemporary Art Gallery in Vancouver and Site Gallery in Sheffield.

Voelcker, Becca. 2026. Insider/Outsider: Arlene Bowman鈥檚 Navajo Talking Picture. Transnational Screens, 17(1), ISSN 2578-5273. Promised Land Voelcker, Becca. 2025. Promised Land. Sight and Sound, 35(10), p. 13. ISSN 0037-4806. The page becomes the

William is a designer of computer games and computer artist with expertise in evolutionary art.

Roberto Feo is a partner in the multidisciplinary design studio EL ULTIMO GRITO, winners of the 2012 麻豆官网 Design Medal.

Sahra Hersi is an artist and spatial designer, and she describes her work as 鈥渃aring about people, places, art & architecture, in that order鈥�. Her work is public and ranges in scales from zines, workshops, public realm interventions and buildings.

Paul鈥檚 work looks at political complexity, error, and ignorance, and the institutional mechanisms available in contemporary political economy that can address these problems.