Superbo, Rebecca; Gafencu, Sebastian Cristian; Perego, Niccolo; Bernardini, Alberto; Comanducci, Luca and Oreggia, Eleonora. 2025. A User Â鶹¹ÙÍø on Electromagnetic Interactions with REBUS. 2025 IEEE 6th International Symposium on the Internet of Sounds (IS2), pp. 1-6.
Oreggia, Eleonora. 2024. Exploring the space between instrument and controller. Sound and Music Computing Conference 2024, pp. 486-490.
Oreggia, Eleonora. 2024. Musical Applications of Electromagnetic Field Sensing. Computer Music Journal, 48(3), pp. 35-60. ISSN 0148-9267
Oreggia, Eleonora and White, Graham. 2018. When technology goes out of control. Digital Creativity, 29(1), pp. 51-67. ISSN 1462-6268
Oreggia, Eleonora. 2013. The EM Field as a Sensor System.
Oreggia, Eleonora; Pinks, Nicholas and McPherson, Andrew. 2012. Touch-controlled panoramic video streaming for film directing.
Oreggia, Eleonora. 2009. The oracle machine. Ictus, 10(2), pp. 32-36. ISSN 1516-2737
Oreggia, Eleonora and Galliani, Silvano. 2007. The Ball in the Hole. pp. 369-370.
Audio
Oreggia, Eleonora. 2020. 02022020.
Oreggia, Eleonora. 2016. Nebulullaby. An Interstellar Cloud of Dust.
Book
Oreggia, Eleonora. 2022. Il segno audiovisivo. Cinema d'animazione e nuovi linguaggi. Milan, Italy: Meltemi Editore. ISBN 9788855195225
Book Section
Oreggia, Eleonora. 2026. Composing with waves. An empirical ontology of electromagnetism. In: Matthew Lovett; Jan-Olof Güllo; Russ Hepworth-Sawyer; Rob Toulson; Justin Paterson and Mark Marrington, eds. Innovation In Music: Sound and Place. Abingdon: Routledge. ISBN 9781041014096
Oreggia, Eleonora. 2016. Transcendendo tecnologia: computacao ubıqua ou technomagia? (Transcending technology: ubiquitous computing or technomagic?). In: Fabiane M Borges, ed. TCNXMNSM. Sao Paulo: InvisÃveis Produções and Goethe Institut, pp. 31-36. ISBN 9788566129236
Oreggia, Eleonora. 2010. Anche i files hanno un'anima. In: C Hendrickson; S Iaconesi; O Persico; F Ruberti and L Simeone, eds. Reff, RomaEuropa Fake Factory: la reinvenzione del reale attraverso pratiche di remix, mashup, reenactment. Rome: Derive approdi, pp. 62-67. ISBN 9788865480120
Messeri, Valentina and Oreggia, Eleonora. 2009. Video editing with open source tools. In: Marloes De Valk and Aymeric Mansoux, eds. Digital Artists' Handbook. Folly.
Oreggia, Eleonora. 2008. The Piksel big bang. In: Aymeric Mansoux and Marloes de Valk, eds. FLOSS + Art. Â鶹¹ÙÍø: GOTO10 and OPenMute, pp. 254-261. ISBN 9781906496180
Oreggia, Eleonora. 2006. Newbie. In: Y Bernard and A Maes, eds. x-med-a. Brussels: okno, pp. 38-39. ISBN 9081073311
Roio, Denis Jaromil and Oreggia, Eleonora. 2006. Video streaming across wide area networks. Research on technologies for content distribution. In: Roland Alton-Scheidl and Edith Huber, eds. Kompetenznetzwerk Mediengestaltung 2004-2006. Vienna: , pp. 74-97
Broadcast
Oreggia, Eleonora and Cuzzolin Oberosler, Daniela. 2023. SEMPRE+CAVA Interview on RAINEWS.
Forcucci, Luca and Oreggia, Eleonora. 2020. ELEONORA OREGGIA/XNAME: ELECTROMAGNETISM AND GESTURES.
Conference or Workshop Item
Oreggia, Eleonora. 2023. 'Playing with the electromagnetic field as a musical instrument'. In: OpenLab, Intelligent Instruments Lab. Reykjavik, Iceland 30 June 2023.
Oreggia, Eleonora. 2023. 'Electromagnetic Interactions with REBUS workshop'. In: Electromagnetic Interactions. Â鶹¹ÙÍø, United Kingdom 21 April 2023.
Oreggia, Eleonora. 2022. 'Make Music with Lights. Noise Bots workshop'. In: School of Innovation and Technology. The Glasgow School of Art. Inverness, United Kingdom 8 February 2022.
Oreggia, Eleonora and Parini, Clive. 2020. 'Rebus is not just a Theremin'. In: NIME 2020. Royal Birmingham Conservatoire, United Kingdom 21 - 25 July 2020.
Oreggia, Eleonora. 2019. 'Artist talk and Rebus demo'. In: ArtFutura. Iklectik, Â鶹¹ÙÍø, United Kingdom 30 November - 1 December 2019.
Oreggia, Eleonora. 2019. 'Audiovisual performance composition using electromagnetic waves [Keynote]'. In: Nordic Sound and Music Computing Conference 2019. KTH Royal Institute of Technology, Stockholm, Sweden 18 - 20 November 2019.
Oreggia, Eleonora. 2019. 'Creative electronics laboratory'. In: Music Hackspace 2019. Somerset House, Â鶹¹ÙÍø, United Kingdom 31 August 2019.
Oreggia, Eleonora and White, Graham. 2016. 'Because there was no user in art: imagining a technological sublime'. In: xCoAX 2016. Bergamo, Italy 7 - 8 July 2016.
Design
Oreggia, Eleonora and Parini, Clive. 2020. REBUS - Electromagnetic Interactions [Prototype].
Performance
Oreggia, Eleonora. 2022. Performance for REBUS and electromagnetic waves.. In: "International Conference Live Interfaces (ICLI 2022)", Lusofona University, Lisbon, Portugal, 20 - 23 June 2022.
Komachi, Midori and Oreggia, Eleonora. 2021. Bamboo Ring Live. In: "Fuorisalone. Milan Design Week", Milan, Italy, 8 September 2021.
Kuma, Kengo; Komachi, Midori and Oreggia, Eleonora. 2021. Bamboo Ring. Weaving a symphony of lightness and form. In: "Fuorisalone. Milan Design Week", Milan, Italy, 4 - 18 September 2021.
Oreggia, Eleonora and IKLECTIK, ArtLab. 2020. Nebularosa 02: Electromagnetic Interactions. In: "Nebularosa 02 – Electromagnetic Interactions. IKLECTIK OFFSITE", Â鶹¹ÙÍø, United Kingdom, 27 June 2020.
Thesis
Oreggia, Eleonora Maria Irene. 2020. Audiovisual performance composition using electromagnetic waves. Doctoral thesis, Queen Mary University of Â鶹¹ÙÍø
Oreggia, Eleonora Maria Irene. 2015. Towards the Oracle Machine. An exploration of decision making processes through the use of software, media divination and other shamanic techniques in realtime audiovisual performance. Doctoral thesis, Â鶹¹ÙÍø
Oreggia, Eleonora Maria Irene. 2002. L'animazione del disegno. Un'analisi semiotica. Masters thesis, Università di Bologna
