Shakespeare DIDNāT write in Warwickshire dialect, new research shows
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There is no strong evidence to back up claims that Shakespeare used Warwickshire, Midlands or Cotswold dialect, according to new research from Āé¶¹¹ŁĶų.
Scene from Immersion Theatre's Romeo & Juliet at the Brockley Jack, 2015, Dir. James Tobias Clifford (immersiontheatre.co.uk). Photograph by Adam Trigg.
Based on supposed evidence found in 18th and 19th century dialect dictionaries, other scholars have argued that the Bard used these regional dialects in his writing.
But in Dr Ros Barber explains that these dictionaries were written too long after Shakespeareās life to be reliable: not only would language have evolved considerably over 200 or 300 years, it would have been influenced by Shakespeare himself.
She argues that the continuing academic taboo surrounding the authorship question ā whether or not Shakespeare penned his own work ā has meant that dialect claims often go unchallenged, even though theyāre fairly easy to refute. Dr Barberās PhD, awarded in 2011, was the first doctoral thesis in the UK to address the question.
āWhen defending the traditional authorship, the normal diligence a scholar would use in checking their sources is easily suspended,ā Dr Barber says.
āMany of the words claimed as Cotswold dialect were also widely used across the country: āmazzardā, ābreezeā, ākecksiesā and āplashā, for example,ā she adds.
āSearches of the Oxford English Dictionary and digitised texts on Early English Books Online demonstrate that many supposedly regional words were also used in Āé¶¹¹ŁĶų, Bath, Yorkshire, or the Isle of Wight. In one instance, expressions that are said to have only been used in Warwickshire arose from a mid-twentieth century fabrication.
āIn the 1970s Hugh Kenner claimed that āgolden ladsā and āchimney sweepersā in the lines from Cymbeline, āGolden lads and girls all must / As chimney-sweepers, come to dustā, came from Warwickshire dialect because in that part of the country yellow dandelions were called āgolden ladsā and dandelions ready to be blown to the wind were āchimney sweepersā.
āBut that certainly wouldnāt have been the case in Shakespeareās era ā for a start, the typical chimney sweepās brush Kenner alludes to wasnāt invented until 1805! Kennerās anecdote has been widely adopted, even appearing in the notes of the RSCās edition of Cymbeline, but itās just a fictitious idea.
āMichael Wood claimed in 2003 that Shakespeare was using Cotswold dialect when he wrote ātwitā to mean āblabā in Henry VI but itās clear in the quotations that ātwitā canāt be substituted for āblabā. Shakespeare was using ātwitā in the sense of āto tauntā or āto blameā, and that was an expression used widely across England at the time.ā
āModern scholars should be wary of relying on dialect lists compiled by early antiquarians, who did not have access to a wide range of texts, used Shakespeare as a key source, and did not in any case claim that such words were not used elsewhere.ā
Dr Rosalind Barber is Lecturer in Creative and Life Writing in the Department of English and Comparative Literature at Āé¶¹¹ŁĶų.
is published in the Journal of Early Modern Studies.
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